A Look Back At Don Siegel's Great Crime Films

I'm a big fan of the late film director Don Siegel.

I often watch his films again whenever I catch them on TV, especially his great crime films, like Madigan, with Richard Widmark and Henry Fonda (seen in the above photo with Don Siegel on the left), Coogan's Bluff  and Dirty Harry, both with Clint Eastwood, and Charley Varrick, with Walter Matthau.

Siegal also made a good spy thriller with Michael Caine called The Black Windmill and he directed John Wayne's last film, a great Western called The Shootist. 

Oliver Lyttelton at indiewire.com takes a look back at Don Siegal and five of his notable films.

In the credits to his masterpiece "Unforgiven," Clint Eastwood included a dedication: "for Don Siegel and Sergio Leone." Leone was a no-brainer, one of the great filmmakers who worked with Clint on a trio of films ("The Good The Bad And The Ugly," "A Fistful Of Dollars" and "For A Few Dollars More"). But Siegel was less beloved of cinephiles. A cosmopolitan Chicago native who studied at Jesus College, Cambridge, he started directing montages at Warner Bros. (including the opening scene of "Casablanca"), before breaking into features, with a string of B-movies with everyone from Robert Mitchum to Elvis Presley (the latter on 1960's "Flaming Star"), but became most notable for his work with Eastwood on five pictures from 1968's "Coogan's Bluff" to 1979's "Escape From Alcatraz."

You can read the rest of the piece via the below link:

http://blogs.indiewire.com/theplaylist/the-essentials-the-films-of-don-siegel-20120420

5 Things You May Not Know About 'The Third Man'

Oliver Lyttelton at indiewire.com offers an interesting piece on one of my favorite films, The Third Man.

Thirty-six years ago today, on April 25th, 1976, filmmaker Carol Reed passed away. One of the greatest directors ever to come out of the U.K., Reed started out as an actor, but gained fame as a writer-director in the late 1930s and 1940s, thanks to films like "Night Train To Munich," and the outstanding "Odd Man Out" and "The Fallen Idol." Later, he'd also find success with films like "Trapeze," "Our Man In Havana," "The Agony and the Ecstasy" and "Oliver!," for which he won the Academy Award for Best Director, beating out Stanley Kubrick's "2001" and Gillo Pontecorvo's "The Battle of Algiers."

But Reed's undisputed masterpiece is "The Third Man," a 1949 film noir based on a screenplay by the great British writer Graham Greene. The film involves a writer of Westerns, Holly Martins (Joseph Cotten), who comes to post-war Vienna after being promised a job by his childhood friend Harry Lime. On arriving, he discovers that Lime had seemingly been killed shortly beforehand. However, he soon finds out, through investigating with Lime's girlfriend Anna (Alida Valli) that his old pal had been stealing and diluting penicillin from military hospitals, leading to the death of children, and that Lime (indelibly played by Orson Welles) is still alive.

You can read the rest of the piece via the below link:

http://blogs.indiewire.com/theplaylist/5-things-you-may-not-know-about-the-third-man-20120425

You can watch some of the footage from the great film via the below link:

http://www.youtube.com/watch?v=gBNlL23sUGI&feature=related

And you can listen to a reading of Graham Greene's The Third Man via the below link:

http://www.youtube.com/watch?v=ykUcSk5JN6w

Note: the above photo is of Orson Welles as Harry Lime and the below photo shows is of Third Man director Carol Reed and writer Graham Greene.