Showing posts with label Don Siegel. Show all posts
Showing posts with label Don Siegel. Show all posts

Tuesday, June 30, 2015

Hemingway's 'The Killers' On Film: Blu-Ray's Double Feature


Raymond Benson, who wrote several James Bond continuation novels, looks back at the two film versions of Ernest Hemingway's great crime story The Killers at cinemaretro.com.

The Criterion Collection gave us the DVD versions of these two excellent crime thrillers twelve years ago. The company has now seen fit to upgrade the release to Blu-ray.

Based loosely on a short story by Ernest Hemingway, both versions of The Killers begin with the author’s premise and then take off from there in very different directions. It’s interesting to see how the respective screenwriters adapted the story and then created two disparate feature-length tales out of it. In Hemingway’s piece, two hit men arrive in a small town looking for “the Swede.” They terrorize the owner, cook, and a customer in a diner in an attempt to find the guy. After the killers leave in frustration, the customer runs to the Swede’s boarding house and finds him in bed with his clothes on. He warns the Swede about the men, but the Swede says he’s not going to do anything about it. The customer goes back to the diner and, after realizing no one cares, leaves town. And that’s it.

The 1946 version faithfully captures the short story—even down to the dialogue—for the first ten minutes. Where the short story ends, the movie goes on and we see the hit men actually kill the Swede (played by Burt Lancaster in his first starring role). Enter Jim Reardon (Edmond O’Brien, with third billing, but he’s really the protagonist of the film!) as an insurance inspector—it turns out the Swede had a life insurance policy that benefits an old lady who helped him once. Reardon is determined to uncover the story behind it all, and the rest of the movie follows his investigation into the Swede’s life in crime (told entirely in flashbacks). The Swede was a boxer who got mixed up with Big Jim, a racketeer (played by Albert Dekker), and falls in love with Big Jim’s gal, Kitty (played by smokin’ hot Ava Gardner, in one of her first starring roles; Gardner had been kicking around Hollywood since the early 40s—this was her big break). As we all know, it’s not good to mess around with the crime boss’s dame.
 
... The 1964 version is a different animal. It was produced to be the very first TV movie, but NBC viewed the finished product and deemed it too violent for television. Instead, the producers released it theatrically worldwide. Directed by Don Siegel (billed as “Donald Siegel”), The Killers Mach II stars Lee Marvin and Clu Gulager as the hitmen, who here become the focal point of the new story. John Cassavetes plays the Swede character, only here he is a racecar driver named Johnny. The femme fatale, Sheila, is played by Angie Dickinson, and get this... the crime boss is none other than Ronald Reagan in his last film role before he became a politician.
 
You can read the rest of the piece via the below link:
 
 
You can also read more about Hemingway's short story The Killers via the below link to my Crime Beat column:
 

Tuesday, October 22, 2013

Clint Eastwood, Don Siegel, And The Great Anti-Hero


I'm a huge fan of Don Siegel's crime films with actor Clint Eastwood, such as Dirty Harry and Coogan's Bluff.

So I was interested in reading Aliya Whitely's piece at the web site denofgeek.com on the films of Clint Eastwood and Don Siegel.

Between them, director Don Siegel and Clint Eastwood created some classic movie anti-heroes, including one Dirty Harry...

Let’s start at the end of this story.

Unforgiven (1992) is a film that builds on the groundwork of others, and takes the ideas of the past to a new level. In it, Clint Eastwood plays a once-vicious killer, William Munny, who chooses to return to the role of bounty-hunter in his old age.

It's no wonder that the film is dedicated to the two directors who shaped the public image of Eastwood to such an extent that we can view Unforgiven as an extension of the mythology of his classic role- the anti-hero. One is Sergio Leone, who turned Eastwood into the Man With No Name. The other director is Don Siegel.

Siegel directed five films that starred Eastwood and was a great influence on him when he started to direct his own films, even playing a small part in Eastwood's directorial debut, Play Misty For Me (1971). The movies they made together relied heavily on Eastwood's silent sneer (Leone said of Eastwood – “As an actor, he has two expressions: with, and without the hat”) but also began to stretch him as an actor in interesting directions.

These films shaped the crime movies and the Westerns that followed, and are still incredibly entertaining and iconic today.

You can read the rest of the piece and watch video clips via the below link:

http://www.denofgeek.com/movies/clint-eastwood/27287/clint-eastwood-don-siegel-and-the-great-anti-hero