Showing posts with label The Thin Man. Show all posts
Showing posts with label The Thin Man. Show all posts

Sunday, May 19, 2024

Dashiell Hammett's Advice To Detective Writers

I’ve been a Dashiell Hammett aficionado since I was a teenager. 

I’ve read nearly all of his published work, including The Maltese Falcon, The Thin Man, and his other classic crime fiction. And I’ve covered collections of his novels and short stories in my On Crime column for the Washington Times

The Library of America, the publisher of a double set of his work, offers a piece on the advice Hammett gave detective story writers. 

You can read the piece via the below link:  

Story of the Week: Suggestions to Detective Story Writers (loa.org)

You can also read my Washington Times On Crime column on The Big Book of the Continental Op via the below link: 

Paul Davis On Crime: A Look Back At The Late, Great Crime Writer Dashiell Hammett 




Sunday, May 27, 2018

From Street To Paper: On This Day In History Crime Writer Dashiell Hammett Was Born


On this day in 1894 Dashiell Hammett, author of The Maltese Falcon, The Thin Man and other crime classics, was born.

"The contemporary novelist's job is to take pieces of life and arrange them on paper. And the more direct their passage from street to paper, the more lifelike they should be" - Dashiell Hammett.

You can read about his life and work via the below link:



You can also read my Washington Times review of Dashiell Hammett’s The Big Book of the Continental Op via the below link:



And you can read my Crime Beat column on Dashiell Hammett via the below link:






Friday, May 27, 2016

My Crime Beat Column: From Street To Paper: A Look Back At Dashiell Hammett, Crime Writer & Detective


Happy birthday to one of my favorite writers, the late, great Dashiell Hammett, who was born on this date in 1894.

"Hammett gave murder back to the kind of people that commit it for reasons, not just to provide a corpse; and with the means at hand, not hand-wrought dueling pistols, curare and tropical fish," wrote Raymond Chandler, another late, great crime writer, and another one of my favorite writers. "He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes. He wrote scenes that seemed never to have been written before."

I've been reading and rereading Hammett's crime novels and short stories since I was a teenager. Despite his foolish admiration of the communist dictator and mass murderer Stalin and his naive attachment to the American Communist Party, I've come to admire him as a man and writer.

One has to admit he had the courage of his convictions, and he served honorably in the U.S. Army in both world wars. But it was his time as a Pinkerton detective that provided Hammett with the material for an original body of work that draws each new generation of crime fiction aficionados to him.  

I've read a couple of biographies of Hammett over the years and a short while back I read Nathan Ward's excellent book on Hammett, The Lost Detective: Becoming Dashiell Hammett.

I enjoyed the book and I liked his idea of covering his life before his fame as a writer, before his relationship to writer Lillian Hellman (an awful person, in my view), before his six-months in prison, and before his IRS difficulties and testimony before the McCarthy hearings on American communists.

Ward's book informs us that Hammett left school at 14 and joined the Pinkerton Detective Agency as an operative in 1915. He left in 1918 to serve in the U.S. Army during WWI, where he contacted tuberculosis, and he returned to the Pinkertons the following year and stayed as a detective until 1922.

"A good detective has to be brave, vigorous, damnably clever, tireless - altogether a real person! His is an extraordinarily complicated mechanism" - Dashiell Hammett.

As Ward notes in his book, his tuberculosis forced him to give up being a detective, but it may well have prompted him to become a literary legend. The journey on that hard road is what Ward's The Lost Detective is all about.

"While Hammett's life on center stage has been well-documented, the question of how he got there has not," Bloomsbury, Ward's publisher, writes. "That largely overlooked phase is the subject of Nathan Ward's The Lost Detective: Becoming Dashiell Hammett. Hammett's childhood, his life in San Francisco, and especially his experience as a detective deeply informed his writing and his characters, from the nameless Continental Op, hero of his stories and early novels, to Sam Spade and Nick Charles. The success of his many stories in the pulp magazine Black Mask following his departure from the Pinketons led him to novels; he would write five between 1929 and 1934, two of them, The Maltese Falcon and The Thin Man, are now American classics."

Ward researched the Pinkerton archive at the Library of Congress, which holds sixty thousand documents and several hundred boxes of operative reports, along with agency employee records and other papers. Unfortunately, Ward was unable to discover any of Hammett's reports.

"But even after an hour spent reading through the reports of other operatives gives a good idea of the experiences and format that formed Hammett as a writer," Ward writes in his book.

"I decided to become a writer. It was a good idea. Having had no experience whatever in writing, except letters and reports, I wasn't handicapped by exaggerated notions of the difficulties ahead" - Dashiell Hammett.

If you've read and enjoyed Hammett's stories over the years, as I have, you might enjoy reading Ward's insightful and informative book.

"The contemporary novelist's job is to take pieces of life and arrange them on paper. And the more direct their passage from street to paper, the more lifelike they should be" - Dashiell Hammett.

Friday, September 11, 2015

The Lost Detective: Separating Fact From Fiction In Dashiell Hammett’s Life And Work


Art Taylor reviews Nathan Ward's The Lost Detective: Becoming Dashiell Hammett in the Washington Post. 

The story goes that in 1917, Dashiell Hammett was offered $5,000 by an officer of the Anaconda Copper Mining Company to kill labor union organizer Frank Little, who had come to Butte, Mont., to stir up striking miners. Hammett, who was working for the Pinkerton Detective Agency as a strikebreaker, declined the offer. Little was killed, and it was believed that other Pinkertons may have been behind his lynching. Despite it all, Hammett stuck with the Pinkerton job.
The story has become pivotal for many people attempting to understand Hammett and his work, which includes the novels “Red Harvest,” “The Maltese Falcon” and “The Thin Man,” and many short stories. Hammett’s longtime lover Lillian Hellman once called the tale “a kind of key to his life,” and novelist James Ellroy linked the episode to “the great theme of [Hammett’s] work.”
Trouble is, the story probably isn’t true.
And that’s not news, by the way. Hammett’s biographer Richard Layman called the story “implausible” in his 1981 book “Shadow Man,” and Ellroy has labeled it “mythic.” But in his new book, “The Lost Detective,” Nathan Ward analyzes and dismantles the claim in more detail, part of an extensive bid to clarify Hammett’s early years and his transformation into one of the most influential crime writers of all time.

... In connecting fact and fiction, the most interesting argument of the book is that Hammett’s years as a detective contributed not only to the plots and themes of his work, but also to his landmark style: “If anything taught Hammett to write pithily and with appreciation for the language of street characters it was not discovering an early Hemingway story in the Transatlantic Review, but doing his scores of operative reports for the Pinkerton National Detective Agency.” Indeed, while reading documents in the Pinkerton archive at the Library of Congress, Ward discovered that the “reports were written to a certain understated standard, presenting a collection of rogues rendered matter-of-factly, with a surprisingly light touch.” Ward likens Pinkerton supervisors to editors and the submission of reports to a kind of streetwise training in the craft of writing. 

You can read the rest of the review via the below link: 

https://www.washingtonpost.com/opinions/separating-fact-from-fiction-in-dashiell-hammetts-life-and-work/2015/09/09/f69f30a2-477c-11e5-8ab4-c73967a143d3_story.html

Thursday, October 31, 2013

Unread Dashiell Hammett Stories To Be Released By Author's Granddaughter


The late great Dashiell Hammett is one of my favorite writers, so I was interested in reading Richard Guzman's piece in the San Bernardino County Sun on a new book of short stories by Hammett, and I look forward to reading the book.

Fans of crime novels and hard-boiled fiction are bound to know the work of Dashiell Hammett. 
 
The Maryland-born writer has been credited with creating the genre that’s defined by its gritty realism and urban settings with stories that usually center on a private investigator as the tough cynical protagonist and narrator.

Among his best-known crime novels are “The Maltese Falcon,” which was turned into a 1941 hit film starring Humphrey Bogart, and “The Thin Man,” which also became a film. Both were published in 1930.

But it’s his lesser-known work, which includes very few crime stories, that is the focus of a new book about the late author set to be released Monday by Mysterious Press-Grove/Atlantic.

Co-edited by his granddaughter Julie Rivett, “The Hunter and Other Stories” is a collection of 17 short stories and three screenplays that, until now, have either never been published or have rarely been published. The stories illustrate Hammett’s desire to be known as more than a crime writer.

You can read the rest of the piece via the below links:

http://www.sbsun.com/lifestyle/20131031/unread-dashiell-hammett-stories-to-be-released-in-book-by-authors-local-granddaughter

Sunday, July 15, 2012

Dashiell Hammett's San Francisco Hotel Suite


Alan Pierleoni at the Sacramento Bee wrote about his stay at the San Francisco hotel the great crime writer Dashiell Hammett once called home.

Recently, we camped at the Hotel Union Square, a refurbished showplace built in 1913 for the 1915 Panama-Pacific International Exposition.

... One very special room is No. 505, the Dashiell Hammett Suite. It's been staged to evoke the memory of Hammett, a pioneer of "hard-boiled" detective fiction ("The Maltese Falcon," "The Continental Op," the lighter "Thin Man" series).

In the 1920s, Hammett worked across the street in the Flood Building as a PI for the Pinkerton Detective Agency. For a while, he lived in Room 505 at the then-Golden West Hotel, where he sat at a desk overlooking the streets below and typed his San Francisco-based mysteries.

You can read the rest of the piece via the below link:

http://www.sacbee.com/2012/07/15/4627841/you-can-almost-see-dashiell-hammett.html

Read more here: http://www.sacbee.com/2012/07/15/4627841/you-can-almost-see-dashiell-hammett.html#storylink=cpy

Read more here: http://www.sacbee.com/2012/07/15/4627841/you-can-almost-see-dashiell-hammett.html#storylink=cpy

Wednesday, November 10, 2010

Dashiell Hammett: The Bull of Baltimore

 
Lauren Weiner at The Weekly Standard states the case for Baltimore's claim to crime writer Dashiell Hammett.

Hammett, author of The Maltese Falcon, The Thin Man and other crime classics, was a private detective before he became a writer, and he did much of his detective work in Baltimore.

Baltimore, Weiner notes, shaped Hammett's art and his worldview.

Hammett is one of my favorite writers, despite his foolish admiration of mass murderer Stalin and his foolish attachment to the American Communist Party.

You can read Laurn Weiner's piece via the below link:

http://www.weeklystandard.com/blogs/bull-baltimore_516136.html