Showing posts with label CrimeReads. Show all posts
Showing posts with label CrimeReads. Show all posts

Wednesday, February 15, 2023

The Strange Real-Life Mystery Behind Edgar Allan Poe's 'The Black Cat':

CrimeReads offers Dean Jobs' piece on fact meeting fiction in Edgar Allan Poe’s classic story of a murderer in The Black Cat. 

You can read the piece via the below link:

The Strange Real-Life Mystery Behind Edgar Allan Poe’s “The Black Cat” ‹ CrimeReads  

And you can read Poe’s The Black Cat via the below link: 

The Black Cat by Edgar Allan Poe (poestories.com) 

Thursday, August 11, 2022

Meg Gardiner: What It Was Like To Write A Prequel/Sequel To The Classic Film 'Heat' With Michael Mann

I'm reading Heat 2, a fine thriller from Michael Mann and Meg Gardiner. The novel is based on Mann's characters from his outstanding film, Heat.

I plan on covering the novel in my On Crime column in the Washington Times.

CrimeReads offers a piece by thriller writer Meg Gardiner on her working with Michael Mann (seen in the below photo) on the crime novel.  

You can read her piece via the below link:

Meg Gardiner: What It Was Like to Write a Prequel/Sequel to the Classic Film ‘Heat’ with Michael Mann ‹ CrimeReads 


Friday, March 11, 2022

What's The Greatest Newspaper Crime Movie Ever Made? Newsman Keith Roysdon Investigates A Favorite Sub-Genre Of Crime.


As a writer who has covered the crime beat for newspapers for a good number of years, as well as a life-long film buff, I’m naturally drawn to newspaper crime films. 

Ace in the Hole, His Gal Friday, The Front Page and – 30 – are some of my favorites, and Keith Roysdon, a veteran newspaper reporter, mentions them and other films in his piece on newspaper crime films for CrimeReads.com. 

As Roysdon notes in his piece, newspapers and crime are a natural fit for film.  

You can read the piece via the below link:

What’s the Greatest Newspaper Crime Movie Ever Made? ‹ CrimeReads

Note: Above and below are photos of Kirk Douglas in Ace in the Hole. 

Also below are photos of Cary Grant from His Gal Friday, Jack Webb from – 30 – and Walter Mathau and Jack Lemmon in The Front Page.


          




Saturday, December 5, 2020

A Look Back At Tom Selleck And TV's Navy Vietnam Veteran 'Magnum, P.I.'

 My wife and I were huge fans of Tom Selleck and his 1980s TV crime drama, Magnum, P.I.  

I liked the mix of humor and drama and I liked that the character of Thomas Magnum was a Navy veteran of Vietnam, as were his two friends, former Marines Rick and TC. All were well-adjusted vets. (Higgins was also a well-adjusted WWII veteran). 

At the time, Vietnam veterans in films and on TV were nearly all portrayed as troubled and violent offenders, but the Magnum TV show and the speeches of President Reagan changed that, thank you very much. 

The show often harkened back to the Vietnam War and those episodes offered serious drama. But mostly, the crime show showed the goofy and fun-loving side of Magnum and his friends, plus action and mystery on Hawaii. 

I watched an episode of the new rebooted Magnum, and I didn’t see the point. I’ve not watched another episode, but I still watch and enjoy the reruns of Tom Selleck’s Magnum. 

Keith Roysdon at CrimeReads.com offers a look back at Tom Selleck and Magnum, P.I. 

The Ferrari. The Hawaiian shirts. The short-short shorts. The mustache! 

For eight TV seasons, “Magnum, P.I.” offered the world a glimpse into paradise—admittedly, the paradise of a 1980s private eye living rent-free at a gorgeous Hawaiian estate. Thomas Magnum, a Vietnam veteran, was head of security for Robin’s Nest, the home of an elusive writer of bestselling thrillers. 

The series made Tom Selleck a star, and deservedly so. Selleck could play both the charming overgrown adolescent and daring action hero without even changing tropical print shirts. 

For the past two seasons, the CBS reboot of the Selleck series has struck many of the same notes: a White Knight hero with a military background, surrounded by war buddies, serving at the whim of Robin Masters and butting heads with Higgins, Robin’s proper Brit majordomo with little tolerance for Magnum’s shenanigans. This time, however, Selleck’s deck shoes are filled by Jay Hernandez and Higgins isn’t played by the pitch-perfect, supercilious John Hillerman but by Perdita Weeks. It is a gender-reversal that’s delightful in part because Weeks’ Higgins is the real kickass action star of the new series. 

But there’s no shame in the game of the Selleck-infused original. Here’s a look at some of the strong suits of the shows and the classic TV private detective character 

The story of “Magnum, P.I.” really begins in 1968 with the debut of “Hawaii Five-O,” a CBS series set and, untypically for television, filmed in Hawaii, which the history books remind us had become the nation’s 50th state just nine years earlier. 

… Integral to the series was the idea of making Magnum, T.C. and Rick veterans of the Vietnam War. From the late 1960s on, television series had portrayed Vietnam vets as tortured souls who were prone to breaking down and carrying out violent acts. In “King of the Hill,” a January 1969, first-season episode of “Hawaii Five-O,” the great Yaphet Kotto played a Marine and vet who barricades himself in a wing of a Honolulu hospital and, believing himself back in action, takes hostages. 

But “Magnum P.I.” made its lead characters Vietnam Veterans who, while sometimes haunted by their time in service, were honorable, stable men. Over the life of the show, echoes of Vietnam were felt many times. 

During the development of the pilot, Bellisario and Larson created a fourth character who would be essential to the show—with great variation in the 2018 reboot. John Hillerman joined Selleck, Larry Manetti (Rick) and Roger E. Mosley (T.C.) in the cast and played Higgins, the majordomo of Robin’s Nest, the beachfront estate owned by author Robin Masters. Higgins was frequently exasperated that his employer would allow Magnum to live in the estate’s guesthouse in return for performing security services and the occasional private eye duties. 

Higgins’ initially condescending and even tormenting attitude toward Magnum softened somewhat over the years as the two (and Rick and T.C.) found common ground in their shared military past: Higgins was a lifelong British soldier, even joining the other three on missions (as we’ll see).

The first mission for “Magnum, P.I.” was to survive in the jungle of television. 

“Magnum, P.I” debuted on CBS on December 11, 1980. For weeks before the show aired, U.S. newspapers—no doubt relying on wire service copy—repeatedly referred to the title character as a “fun-loving ex-Navy man” or “fun-loving private investigator.” 

You can read the rest of the piece via the below link:

 A P.I. in Paradise: How 'Magnum' Set the Standard for '80s TV Detectives | CrimeReads




Tuesday, August 25, 2020

Otto Penzler: 'The Third Man' Is The Greatest Crime Film Of All Time


Otto Penzler (seen in the below photo) is the president and CEO of MysteriousPress.com, the owner of the Mysterious Bookshop in New York City and the editor of many anthologies of crime stories. 

As a noted authority on crime, espionage, suspense and mystery stories, Otto Penzler has been ranking, analyzes and celebrating the 106 Greatest Crime Films of All-Time for CrimeReads.com.

He has selected The Third Man as the greatest crime film of all-time.

I’d have a hard time picking just one film as the greatest all-time crime film, but The Third Man would most certainly be in my list of top ten crime films.

The 1949 film, directed by Carol Reed and written by the great thriller writer Graham Greene, is a classic film and one of my favorite crime films.

Harry Lime, portrayed By Orson Welles in The Third Man, is a great, evil character. Lime is a post-World War II black marketer who masterminds a plot to sell diluted penicillin to hospitals, which contributes to the death of many children.

Lime is unseen and only talked about for roughly half of the film and when he is finally introduced, we see only Lime’s face in the shadows, briefly lit in a dark alley in Vienna. Lime is seen quickly in profile, with a wry, smug and self-satisfied look on his face.

He is, as one reviewer called him, "a charming monster."

When Lime confronts his old friend, writer Holly Martins, played by Joseph Cotton, Lime excuses his actions in a now famous speech (written by Welles, not Greene).

In Italy, for thirty years under the Borgias, they had warfare, terror, murder and bloodshed - but they produced Michelangelo, Leonardo da Vinci and the Renaissance," Lime explained. "In Switzerland, they had brotherly love. They had 500 years of democracy and peace, and what did that produce? The cuckoo clock.

The film, made richer by the black and white film noir style and the Anton Karas zither music, is truly unforgettable.

You can read Otto Penzler’s piece on The Third Man via the below link:



You can also read my On Crime column on Otto Penzler in the Washington Times via the below link: