W. Somerset Maugham's 'Mr. Know-All'

W. Somerset Maugham, a fine novelist and short story writer, was born on this date in 1874.

I love his short stories and I love the films that dramatized his short stories. One of my favorites is 'Mr. Know-All.'

You can watch W. Somerset Maugham introduce his story via the below link:

https://www.youtube.com/watch?v=HDUJvCHqUqo
 

Where James Bond Was Born: London's Most Literary House

Christopher Middletown at the British newspaper the Telegraph offers a piece on Carlyle Mansions, London's most literary house.

Carlyle Mansions is known locally as The Writers’ Block, and this handsome, red-brick building has a long and distinguished list of literary luminaries who have lived there. Everyone from Ian Fleming (No 24) to T S Eliot (No  19), from Henry James (No 21) to Somerset Maugham (No 27).
 

Practically every well-known late 19th-century or early 20th-century author has been here – apart from the man after whom the flats are named.
 

For by the time the final cornerstone was completed, in 1886, the historian and philosopher Thomas Carlyle had been dead for five years. 

... As property historian Melanie Backe-Hansen notes: “Many of the famous creators lived here when they were unknown and didn’t have a penny.”

Or at least they weren’t yet the famous names they went on to become. Fleming (below) is said to have begun writing Casino Royale, in 1952, to distract himself from his forthcoming wedding. The manuscript was typed out by two women, one of whom was his red-haired secretary, said to be the model for Miss Moneypenny.

Arguably, some of the finest works in the English language were created at Carlyle Mansions: it was here that T S Eliot (below) wrote his play The Cocktail Party, and Henry James wrote The Portrait of a Lady.

You can read the rest of the piece via the below link:

http://www.telegraph.co.uk/property/periodproperty/11258881/Where-James-Bond-was-born-Londons-most-literary-house.html 

James Bond's WWI Origins

Benjamin Welton at the Atlantic offers a piece on the influence of WWI on the classic British spy novel.

This year marks the 100-year anniversary of the start of World War I—which brings with it a host of arguments among academics, journalists, and historians over the lasting legacy of the "War to End All Wars." But what's inarguable is that World War I profoundly changed literature. It was during the conflict's buildup and aftermath that detective fiction was fused with alarmist invasion literature to create a genre that remains popular today: the classic British spy novel.

In the popular imagination, spy stories are often associated with fast cars, cool gadgets, and high-class liquors dressed up in fancy glasses; fictional heroes like Ian Fleming’s James Bond and the anonymous secret agent of Len Deighton’s many thrillers are always off to some far-flung corner of the globe to foil their adversaries. Sometimes, these novels’ antagonists are the evil counterparts to the charismatic spies they hunt, but more often than not, they have big, bad plans for the world. The Soviet Union predominates as the main source of trouble.

Authors like Fleming and John le Carré have become synonymous with this fast-paced genre, while Graham Greene waits in the wings as a more literary-minded third. All three of these top spy fiction writers were born in England (Greene in 1904, Fleming in 1908, and le Carré in 1931), all were members of the British intelligence community (Fleming and Greene during World War II and le Carré during peacetime), and all saw their greatest fame as novelists during the Cold War—a period in the British spy novel, which consistently pitted the daring, heroic agents of MI6, SAS, and SBS against foreign and domestic threats, captured the world’s attention, even while the once mighty British Empire was reduced to a second-tier power on the world stage.

You can read the rest of the piece via the below link:

http://www.theatlantic.com/entertainment/archive/2014/03/james-bonds-world-war-i-origins/284323/

Note: What Welton calls alarmist, I call security-conscious. I'm surprised that Welton didn't mention W. Somerset Maugham's Ashenden: The British Agent. Like Fleming, Greene and le Carre, Maugham served as a British intelligence officer. He based his Ashenden stories on his experience as a WWI spy.