I recently read Nicholas Shakespeare’s Ian Fleming: The
Complete Man, an excellent biography of the late, great thriller writer.
(My On Crime column on the biography will soon appear in the Washington Times).
And last year I read Adam Sisman’s interesting book on the
secret life of the late John le Carre (I covered Mr. Sisman’s earlier biography
of le Carre in my 2019 On Crime column for the Washington Times).
Although both spy novelists have passed on, there is still much interest in the lives and works of both men. Both served in British intelligence prior to becoming writers. Ian Fleming served as a commander in British naval intelligence during WWII, and John le Carre served briefly in MI5 and MI6 after WWII.
Although the two were very
different writers and men, the two are often compared. And John le Carre often criticized
Ian Fleming, who was not then alive to respond.
I wrote about the two writers in my Crime Beat column in 2010.
You can read the column below:
Spy Writer
Vs. Spy Writer: John le Carre Calls
Ian Fleming's Iconic James
Bond Character A Neo-Fascist Gangster
Regarding John le Carre’s recent critical remarks about fellow
thriller writer Ian Fleming’s iconic character James Bond, the author of The
Spy Who Came In From The Cold and Tinker, Tailor, Soldier,
Spy, is right about one thing.
Le Carre is correct in stating that the Bond films
have overtaken the books. It is true that the general public’s image of the
fictional secret agent is that of the often silly, superman-like film
character, rather than the darker, more complex and more realistic Bond
character in the novels.
Le Carre is wrong about everything else.
Le Carre, aka former British
intelligence officer David Cornwell, upon reviewing a 1966 BBC broadcast in
which he was highly critical of Ian Fleming, calling his character James Bond
“a neo-fascist gangster,” noted that he would be “much kinder” in his remarks
today.
The 78-year-old, bitter leftist spy
novelist then went on to state that Bond “would have gone through the same
antics for any country if the girls had been so pretty and the martinis so
dry.”
So much for being kinder.
“I dislike Bond,” le Carre told the BBC in 1966. “I’m not sure that Bond is a
spy. I think that it’s a great mistake if one’s talking about espionage
literature to include Bond in that category.
“It seems to me he’s more some kind of international gangster with, as it is
said, a license to kill… he’s a man entirely out of the political context. It’s
no interest to Bond who, for instance, is president of the United States or the
Union of Soviet Republics.”
It was a pity that Fleming, who died in August of 1964, was not alive to
respond.
I suggest that le Carre, like millions of thriller readers around the world,
re-read the Fleming stories.
Although Fleming stated that his James Bond thrillers were highly
romanticized and he wrote them unabashedly for entertainment (the public’s
as well as his own), the novels portray a character based on the secret agents
and military commandos Fleming met while serving as a British naval commander
attached to naval intelligence in World War II. He also added a good bit
of his own likes, dislikes and personality to the character.
The Bond character was driven primarily by a love of adventure and a strong
sense of patriotism. He was all Queen and Country. He fought the good fight
against communists, terrorists and criminals. He was a modern-day knight.
As for le Carre’s comment that Bond was not truly a spy, if he were to re-read
the novels, he would discover that the character was a senior intelligence
officer in the British Secret Service - the Secret Intelligence Service (SIS),
often referred to as MI6.
Although he did not perform traditional intelligence officer duties, such as
recruiting and controlling agents, Bond was sent out on missions to “spy” on
and take out enemies of the Crown. Bond was a special operator.
Although the double-00 license to kill was a fictional device, there are in
reality special operatives in the intelligence services of both the U.S. and
the U.K who have special operations backgrounds and have skills in guns,
knives, unarmed combat and explosives. These men, and some women, are hunting
al Qaeda today.
“Everything I write has a precedent in truth,” Fleming said.
Although his thrillers had fantastic elements, many of his plots and characters
were inspired by true events. A case in point is the plot of Goldfinger,
in which a gold-crazed criminal mastermind plans to rob Fort Knox.
Ben Macintyre recently wrote a good piece for The London Times, in
which he informs us that a German spy in WWII named Gustav Steinhauer planned
to blow up the gold reserves of the Bank of England. Macintyre wrote that
Fleming liked the interplay between truth and fiction.
In 1966, when le Carre recorded his disparaging remarks, Fleming was dead, but Bond-mania was in full bloom. Although le Carre’s novels sold well and
he was critically acclaimed, Fleming’s thrillers were well on their way to
selling 100 million copies world-wide. James Bond was a house-hold name around
the world.
As for le Carre’s realism, I’ve interviewed a good number of former and current
CIA and military intelligence officers who object strongly to the moral
ambiguity found in his novels. Most Cold War intelligence officers were, like
Bond, patriots who were dedicated to fighting communism.
British, American and other Western intelligence officers were certainly not
like their utterly ruthless KGB and Eastern bloc counterparts who were
defending a totalitarian, evil empire. There was a moral distinction between
the Cold Warriors that you will not find in a le Carre novel.
And it should be noted that John Bingham, le Carre's boss and mentor
at MI5, and reportedly the man le Carre based George Smiley on, despised le
Carre's portrayal of British spies.
William F. Buckley Jr, the late conservative author, columnist and political
talk show host, noted that films and novels in the 1960s and 1970s often
portrayed CIA officers as no better than the KGB.
Having served briefly as a CIA officer, he objected.
Buckley said the CIA pushed little old ladies out of the way of moving cars,
while the KGB pushed little old ladies into the path of the moving cars.
People like le Carre say both the CIA and the KGB push around little old
ladies.
Buckley, who wrote his own series of spy thrillers, believed the CIA and
the Western intelligence services were a force for good in the Cold War.
I agree.
Despite the moral ambiguity, I used to like le Carre’s novels. But his most
recent novels have been marred by his increasing anti-Americanism and leftist
opinions.
Tinker, Tailor, Soldier, Spy is a first-rate spy thriller, and in
the novel le Carre offers a James Bond type of character with Peter
Guillam, the tough guy head of the "Scalphunters." The
Scalphunters were in le Carre's novels a group that performs the rough stuff
one associates with James Bond.
And Peter Guillam was played in the TV mini-series by actor Michael
Jayston, who was also considered for the role of James Bond at one point.
Yes, Tinker, Tailor, Soldier, Spy is a great Cold War
thriller, but so is From Russia With Love.
Lastly, it should be noted that Fleming lost his father in combat in World War
I and his younger brother in World War II. Ian Fleming was a British patriot,
as was his creation, James Bond.
Note: You can read my Washington Times On Crime column on Ian Fleming via the
below link:
Paul
Davis On Crime: A Look Back At Ian Fleming, The Man Who Created James Bond: My
Washington Times On Crime Column On Why The Bond Character Continues To
Resonate
And you can read my Washington Time On Crime
column on John le Carre via the below link:
Paul
Davis On Crime: My Washington Times Review Of 'John Le Carre: The Biography'
And you can read my Philadelphia Inquirer review of William Buckley's spy thriller Last Call for Blackford Oakes via the below link:
Paul Davis On Crime: My Philadelphia Inquirer Review Of William F. Buckley's 'Last Call For Blackford Oakes'
