Showing posts with label William Boyd. Show all posts
Showing posts with label William Boyd. Show all posts

Thursday, July 23, 2020

William Boyd: The Spies Who Lived Here: How I Found James Bond’s Precise Address


British novelist William Boyd, who wrote the James Bond continuation novel, Solo, tracked down what may been the London addresses of Ian Fleming’s fictional secret agent James Bond, as well as the London address of John le Carre’s fictional spymaster George Smiley, in a piece in the London Times Literary Supplement, TLS.

I am in London. In Chelsea to be precise, at the entrance to Wellington Square off the King’s Road, where I am being interviewed for the French radio station RTL – à distance sociale – about James Bond. The reason why we’re at Wellington Square is because this is where James Bond lived. Obviously, James Bond is a fictional character and didn’t actually live anywhere. However, it is strange how in the case of some fictional characters a kind of reality begins to take over their lives, as if they really did live and breathe, had an actual address and a mortgage.

I point out to the interviewer that, a few yards across the King’s Road from where we’re standing, almost directly opposite, is the entrance to Bywater Street. Believe it or not, I tell him, another famous fictional spy, John le Carré’s George Smiley, lived in Bywater Street. This extraordinary coincidence causes some excited consternation and we stop recording and cross the road. In Bywater Street, we start recording again. “George Smiley lived here? Amazing. What number?” the interviewer asks. Number 9, I say. You see what I mean.

I suppose the most famous fictional abode for a character is Sherlock Holmes’s 221b, Baker Street. James Bond’s address and George Smiley’s have yet to achieve the same legendary status, but give them time. When I came to write my James Bond continuation novel, Solo (2013), I set myself the task of re-reading all of Ian Fleming’s Bond novels in chronological order, pen in hand, making notes, with the idea that all the texture and detail in the new novel would be classic Bondiana, sourced in Fleming..

There is another significant reason why Wellington Square might have proposed itself as a suitable address for Bond. In the late 1940s and early 50s Fleming was the Foreign Manager for the Sunday Times, a person of power and influence at the newspaper. During this period, the chief book reviewer for the Sunday Times was Desmond MacCarthy, a central member of the Bloomsbury Group. As it happened, MacCarthy and his wife Molly lived in Wellington Square. They were legendary entertainers and their home became a kind of salon. Cyril Connolly was one of MacCarthy’s young protégés and a regular at the soirées – and, what’s more, Connolly and Fleming were close friends. All three were Old Etonians, incidentally.

The circumstantial evidence is compelling. It is highly probable that Fleming went to one or more of the MacCarthys’ parties in Wellington Square, either through his own connections with MacCarthy via the Sunday Times or as a friend of Connolly. MacCarthy died in 1952, the year before Casino Royale was published, though it wasn’t until Moonraker, three years later, that Bond’s Chelsea flat received its first mention.

…The MacCarthy house is to be found in the eastern corner of Wellington Square. Bond’s flat, according to Fleming, was on the ground floor and was described in From Russia, with Love (1957) as having “a long big-windowed sitting room”. The ground-floor window of the MacCarthy house fits that description perfectly. One other sliver of circumstantial evidence I would offer is that, in the same novel, Bond’s sitting room is described as “book-lined”. Most readers wouldn’t think of James Bond as an intellectual but books would certainly be the most prominent aspect of the MacCarthy house’s decor. In fact, Fleming took pains to stress Bond’s wide reading, despite the fact that Bond (Eton and Fettes) had no tertiary education. Bond makes reference to many books and writers in the novels: Eric Ambler, Lafcadio Hearn, John Milton, Ralph Waldo Emerson, Edgar Allan Poe, Sheridan le Fanu and Rupert Brooke among others. Bond is a very well-read spy.

You can read the rest of the piece via the below link:




Friday, October 4, 2013

Espionage In Fact And Fiction: William Boyd On Ian Fleming, John Le Carre And Kim Philby


William Boyd, who has written the latest James Bond continuation novel, Solo, wrote three interesting pieces for the British newspaper the Guardian.

Two of the pieces were on spy thriller writers Ian Fleming and John le Carre and the third piece was on the notorious British spy and traitor Kim Philby.

You can read Boyd's take on Ian Fleming via the below link:

http://www.theguardian.com/books/2011/oct/19/ian-flemings-commandos-nicholas-rankin-review

And you can read Boyd's take on John le Carre via the below link:

http://www.theguardian.com/books/2011/sep/16/tinker-tailor-a-z-william-boyd

And you can read Boyd's take on Kim Philby via the below link:

http://www.theguardian.com/books/2006/sep/23/featuresreviews.guardianreview31      

Video Interview: William Boyd On Bond


The James Bond web page MI6 offers a video interview with William Boyd, the author of a new continuation novel featuring Ian Fleming's iconic character James Bond.

In this first of a three part video, author William Boyd talks about reading Ian Fleming's novels in his youth and how he has delved deep in to the life of James Bond in order to pen the continuation novel 'Solo'.

He also comments that as a continuation author he is writing his own novel within the framework, rather than a pastiche of Ian Fleming's style - a stinging put down of exactly how Sebastian Faulks approached his top selling but poorly reviewed 'Devil May Care'.
 
You can watch the first video via the below link:

http://www.mi6-hq.com/news/index.php?itemid=11087

And you can watch parts two and three of the video interview with William Boyd via the below link:

http://www.mi6-hq.com/news/index.php?itemid=11096&t=mi6&s=news  

And you can read my Philadelphia Inquirer review of Sebastian Faulks' Devil May Care via the below link:

http://www.pauldavisoncrime.com/2013/08/my-philadelphia-inquirer-review-of_31.html

Saturday, September 28, 2013

William Boyd Interviews James Bond


William Boyd, the author of the new James Bond continuation novel, Solo, offers a mock interview with Ian Fleming's iconic character in the British newspaper the Guardian.

Time travel. 1969. Chelsea. There was an autumnal feel about the day as I emerged from the tube station at Sloane Square. Instinctively, I looked round over my right shoulder to see what was playing at the Royal Court. The Contractor by David Storey, directed by Lindsay Anderson. I hadn't seen that play – but then I had been a 17-year-old schoolboy in 1969, and my theatre-going life hadn't really started. It was strange being back in Chelsea in 1969, the year of the moon-landing, the year of my first summer in London. Stranger still to be going to interview James Bond. 

... Bond – now 45 years old – was wearing a dark-navy worsted suit, a pale-blue shirt and a black knitted silk tie. Lightly tanned, he was slim, about my height, six feet one inch, and had short dark hair with no trace of grey. I knew people would ask me to describe him with more precision. There was a scar on his right cheek. He was even-featured – though there was something "hard" about his looks.

You can read the rest of the interview via the below link:

http://www.theguardian.com/books/2013/sep/28/william-boyd-james-bond-interview

You can also read Boyd's Q&A with James Bond via the below link:

http://www.theguardian.com/books/2013/sep/28/william-boyd-q-a-james-bond

Note: In 1969, I too was a 17-year-old Bond fan and Ian Fleming aficionado. I was a high-school drop waiting eagerly for the U.S. Navy to call me up.

Thursday, September 26, 2013

Bond Is Back, In William Boyd's New Novel 'Solo'


ABC News offers a piece on the William Boyd's new continuation novel featuring Ian Fleming's iconic character, James Bond.

William Boyd has left James Bond stirred, if not shaken.

The British writer has taken on the fictional spy in "Solo," a new 007 novel that balances fidelity to Ian Fleming's iconic character with subtle changes.
 
Bond fans will find much they recognize, along with some surprises — one of which is that in Boyd's mind, James Bond looks like Daniel Day-Lewis.
 
Boyd says Fleming once described the spy as "looking like the American singer-songwriter Hoagy Carmichael. Daniel Day-Lewis looks like Hoagy Carmichael."
 
"Solo" is set in 1969, and takes the suave British spy from London's plush Dorchester Hotel to a war-ravaged West African country and on to Washington on a perilous lone mission.
 
Boyd steers Bond away from his big-screen action-hero image and back toward the complex and conflicted character of Fleming's novels.
 
"Even though he's this handsome superspy, when you read the books you realize that he's haunted," Boyd told The Associated Press on Wednesday.
 
"He's not a cartoon character. Fleming gave him all his traits, his tastes, his likes and dislikes — and his complexes. Bond has a dark side. He's troubled sometimes. He weeps quite easily. And he makes mistakes. That's what's so interesting about him."  
 
You can read the rest of the piece via the below link:
 
 
Note: I agree that a younger Daniel Day-Lewis fits Ian Fleming's description of the Bond character, certainly far better than Daniel Craig, but at 54, he is perhaps a bit too old to slap on the Walther PPK.

Still, he is a great actor and I'd like to see him portray Bond.
 
Also, Vesper Lynd in the novel Casino Royale tells Rene Mathis that Bond resembles Hoagy Carmichael, and he tells Bond. Bond later looks in the mirror and mutters to himself, "Not much Hoagy Carmichael there."  

Sunday, April 28, 2013

Solo, Part Two: More Of William Boyd On His New James Bond Continuation Novel


The James Bond web site Mi6 offers part two of the conversation between the latest James Bond continuation author, William Boyd, and the Times literary editor, Erica Wagner.

EW - How was your process of writing different, having to create characters from scratch?

WB - It is slightly different, but that was the advantage of re-reading the books, because there is a phenomenal amount of information there, which most people have forgotten about. Fleming tells you a huge amount about Bond: From his inner thoughts; his softest emotions to his most savage; his background, where he lives. Bond's flat is in Chelsea, in Wellington Square, which is about two hundred yards from where I live, which was another bonus. Fleming's mother lived in Chelsea. So, getting all that information allowed me to make Bond seem real in my mind. But then, of course, I had to invent a villain and various antagonists. I had to come up with two very interesting women for him to meet and have a relationship with. So, there was a lot of invention to be done, not just plotting - my plots are always very elaborate and complicated, so I had to construct a very elaborate and complicated plot - but I had to populate that world with creatures of my imagination, not just the ones that Fleming had.

There is "M" and there is a brief Moneypenny moment, but otherwise, they're all mine. So, it is ninety-five percent imagination, I would say, and then all this information that Fleming provides for you.
 
You can read the rest of the piece via the below link:
 
 
And you can read part one via the below link:
 

Tuesday, April 16, 2013

Solo: William Boyd On His New James Bond Novel


The James Bond web site MI6 offers a piece on William Boyd, the latest author to write about Ian Fleming's iconic character James Bond.  

MI6 reports from The London Book Fair, where William Boyd, author of the new Bond continuation novel 'Solo', was 'author of the day' and was interviewed by Erica Wagner, Literary Editor of The Times.

... I think what is apparent, as soon as I started thinking about the book was that everybody thinks about Bond in terms of the films, inevitably, because they're so successful. Fleming died in 1964 but the latest Bond film came out just last year. So, Bond in the popular imagination is a celluloid Bond. Because of the nature of the medium and because of the nature of the film franchise, the difference between the cinematic Bond and the literary Bond is marked. I re-read every Bond novel and Bond short story in chronological order before I started writing my own, and Fleming gives you a massive amount of information about Bond: His inner life; his back story; his education; his likes; his dislikes; his phobias; his passions. So, as a character in a novel, there's this incredible richness, whereas in a film - because film is photography - it's very hard to be subjective. So, you see Bond, you see what he gets up to, but I feel that you just don't know him at all. The literary Bond is a far more complex and nuanced creature than even a brilliant actor like Daniel Craig can portray.

You can read the rest of the piece via the below link:

http://www.mi6-hq.com/sections/articles/literary_solo_william_boyd_preview_interview1.php3?t=&s=&id=03484

You can also read the Ian Fleming Publications' press release on the publication of William Boyd's Solo via the below link:

http://www.mi6-hq.com/news/index.php?itemid=10879

Sunday, December 16, 2012

James Bond Incorrectly Portrayed On The Screen As A "Cartoon Character," Says Author William Boyd


William Boyd, the author of Restless, Any Human Heart and an upcoming James Bond continuation novel, says that Ian Fleming's iconic character James Bond has been portrayed on film as a "cartoon character."

William Boyd, the historical novelist, has been commissioned to write a new Bond novel by the estate of Ian Fleming, who charted the character’s career in 14 books.

But he has dismissed the work of others who have brought the character to life, deliberately not going to see Skyfall, the latest film starring Daniel Craig and Dame Judi Dench, and claiming the spy was “not the suave Roger Moore-type English toff at all”.

Screenwriters have underplayed his true alcohol consumption, he said, pointing out that in Dr No 007 drank two bottles of bourbon, a bottle of champagne, a Calvados and four dry martinis in one night.

“In the films Bond is a cartoon character but in the novels he is far more troubled, nuanced and interesting,” Boyd told Radio Times. 

You can read the rest of the story via the below link to the Telegraph:

http://www.telegraph.co.uk/culture/film/jamesbond/9737200/Cartoon-film-James-Bond-should-be-massive-boozer-claims-William-Boyd.html 

Sunday, July 22, 2012

New Mystery And Thriller Books Set Amid The World Wars


Paula Woods offers a review of William Boyd's Waiting For Sunrise and Philip Kerr's Prague Fatale in her roundup of mysteries and thrillers at the Los Angeles Times

Mysteries and thrillers set in the years surrounding and during our two world wars have become a cottage industry. From Ken Follett's "Eye of the Needle" in the 1980s to recent novels by Charles Todd and Jacqueline Winspear, the standouts blend enough history with the genre's more familiar elements to keep readers enlightened and entertained.

You can read the rest of the piece via the below link:

http://www.latimes.com/entertainment/news/la-ca-mystery-roundup-20120722,0,3903582.story

Thursday, July 19, 2012

William Boyd Focuses On Psychoanlysis, Wartime Intelligence

 
Bernard Vaughan at Reuters interviews author William Boyd.

For more than 30 years, author William Boyd has won acclaim for writing complexly plotted page-turners often set in unique historical milieus, from World War One-era East Africa to 1936 Los Angeles.

His latest novel, "Waiting for Sunrise," features Lysander Rief, a young British actor seeking treatment from a disciple of Sigmund Freud for a sexual problem in pre-World War One Vienna before becoming entangled in the opaque world of wartime intelligence.

Boyd spoke with Reuters about the book, his writing process and his recent agreement with the estate of Ian Fleming to write the next James Bond novel.


You can read the rest of the piece at the Chicago Tribune via the below link:

http://www.chicagotribune.com/entertainment/sns-rt-us-books-boydbre86i0ck-20120719,0,3670066.story

Monday, June 11, 2012

In William Boyd's James Bond Continuation Novel, Ian Fleming's Iconic Character Will Be Middle-Aged And More Realistic Than The Cinematic Bond

 
Anita Singh at the British newspaper the Telegraph reports on how William Boyd plans to offer an older, more realistic James Bond in his upcoming James Bond continuation novel.

The author has been chosen by the Ian Fleming estate to write a new Bond adventure, which will be published in autumn 2013.

But Boyd’s creation will be a far cry from the screen Bond, who bedded beautiful women at every opportunity and faced down villains bent on world domination.
*
“He is a middle-aged man, a middle-aged spy, and that’s one of the things that interests me” Boyd told an audience at the Telegraph Hay Festival. The as-yet-untitled novel is set in 1969, with Bond aged 45.  

... He added: “The literary Bond is a far more interesting character than the Bond of the films, who is a sort of cartoon. The literary Bond is a much more troubled, complex, nuanced figure.”

You can read the rest of the piece via the below link:

http://www.telegraph.co.uk/culture/hay-festival/9323091/Hay-Festival-2012-James-Bond-to-be-a-middle-aged.html 

Friday, April 13, 2012

James Bond: Never Say Die

 
Ron Charles at the Washington Post interviewed William Boyd, the Scottish author will pen the next James Bond continuation novel.

Boyd, whose sexy World War I thriller “Waiting for Sunrise” will be published next week, expects to bring out his Bond novel in 2013 — 60 years after “Casino Royale.”

Boyd said: "I think the first thing to do is to separate the Bond movies from the Bond novels. The “literary” Bond is a far more intriguing and nuanced character than the cinematic version. He is more troubled and flawed, and because he’s in a novel — and not in some cartoonesque action-movie — he seems far more human."

You can read the rest of the piece via the below link:

http://www.washingtonpost.com/blogs/arts-post/post/james-bond-never-say-die/2012/04/13/gIQAijuFFT_blog.html

Wednesday, April 11, 2012

William Boyd To Pen New James Bond Continuation Novel Set In The Late 1960s

 
Paul Casciato at Reuters reports that author William Boyd will write the next James Bond continution novel. The novel will be set in the late 1960s.

The best-selling British novelist told Reuters on Thursday that he will put his knowledge of Cold War espionage to good use to pen the next adventure of the 007 character created by Ian Fleming, who has grown into a global book and film phenomenon.

You can read the rest of the story via the below link:

http://www.reuters.com/article/2012/04/11/us-williamboyd-jamesbond-idUSBRE83A1HL20120411

You can also read the BBC report on Boyd writing the next Bond continuation novel via the below link:

http://www.bbc.co.uk/news/entertainment-arts-17677611