Showing posts with label short stories. Show all posts
Showing posts with label short stories. Show all posts

Saturday, July 12, 2025

My Crime Fiction: 'Mouth'

The story below first appeared in American Crime Magazine. 

Mouth 

By Paul Davis 

I recently went for a haircut to a local barber shop located about four blocks from my home in South Philadelphia. 

The barber in residence was a young man and a good barber who had a mostly younger clientele. I happened to sit next to another old timer who, like me, missed the good old days when Frank and Sonny ran the shop. 

Originally from Sicily, Frank and Sonny Provenzano came to Philadelphia in 1955 and opened their barber shop in 1965. In the 1960s, when I frequented the shop as a teenager, and into the 70s, 80s and 90s, Frank and Sonny’s barber shop had a congenial atmosphere akin to an old-fashioned taproom bar or a social club, minus the alcohol.

But the barbers did put out bottles of scotch, vodka and sambuca during the Christmas and New Year season. Back then, the barbers and customers smoked cigarettes freely in the shop, and some customers smoked cigars. The barber shop was authentically “South Philly.” 

The barber shop back then was always crowded, and on any given day, customers came and went after getting a haircut as well as participating in the day’s running debate on sports or current events, moderated by the two barbers. The ongoing debate, often enlivened with abundant humor, made the long wait for a haircut enjoyable in the always crowded shop. 

Frank Provenzano, the older brother, was a short, balding, avuncular man who retained his Italian accent even after all his years in America. Sonny, who was some years younger than Frank, was short with curly black hair and possessed a sardonic wit that sometimes offended his customers. 

The two barbers supplemented their income by operating as bookmakers and loan sharks, and my crowd often made sport bets there and borrowed money from them when the bets didn’t work out. Like many of the young guys from my crowd, I thought of Frank and Sonny as my uncles rather than just my barbers. 

In the late 1970s, when I was in my late 20s and a bachelor, the shop was so busy that the two brothers brought in a pretty young girl to cut hair in the third chair they had in the barber shop. 

I recall one Saturday afternoon when the shop was standing room only. When it was my turn for a haircut, the young girl waved me towards her chair. I told her that I would wait for Sonny. 

Although my short dark parted hair and my short trimmed dark beard were easy to cut, I was fussy and particular about who cut my hair. Not counting the four years I spent in the Navy, Frank and Sonny were the only barbers who had cut my hair since I was a kid. 

“Go ahead, let her cut your hair,” Sonny said. “She’s good.” 

Reluctantly, I agreed. 

I sat in her chair as she wrapped a long white sheet around my shoulders and placed a white strip around my neck. She then just stood there beside me as I sat in the elevated barber’s chair and looked at me with her head cocked to the right. She turned to Sonny in the middle chair. 

“I can’t cut his hair,” she said with an exasperated air. “He’s too good-looking.” 

Sonny frowned, Frank chuckled, and the other customers in the barber shop roared with laughter. The girl was soon let go by the brothers and they arranged for her to work at a nearby woman’s beauty salon. 

I was teased mercilessly both in the barber shop and elsewhere for some months after that. Friends would greet me with “Hey, Good-looking.” And a bartender and friend at our neighborhood bar looked at my other friends when I walked in and said, “I can’t serve Paulie a drink. He’s too good-looking.” 

That got a big laugh at my expense.       

 When I wrote about the barber shop in the mid-1990s in my column in the local newspaper, I quoted Frank stating, “We are a friendly shop. Everybody is more of a friend than a customer. We have customers who have moved to New Jersey and other places far away, but they still come back here for a haircut. A lot of shops give them a haircut and throw them out. Our friends stay about talk about the salaries of ball players and such. This is an Italian neighborhood, although we have all kinds living here, and we all get along.” 

Thanks to their loyal, multi-generational following, the shop remained open for years even during the long hair days of the 1960s, when many other barber shops folded. 

Frank and Sonny always seemed to have a handful of oddball characters hanging around the shop. They would sweep up the hair from the floor and make coffee runs to a nearby delicatessen for the two barbers and any customers who also wanted coffee. But mostly the characters entertained the barbers and the customers with unintentional humor.    

One of their most entertaining and often annoying characters was Martin Alberto. 

Alberto was around 5’10, lean with dark wavey air and a permanent five o’clock dark shadow on his face. He was a minor criminal, into “this and that,” but he often spoke like he was a big shot mobster, even though everyone knew he certainly wasn’t.    

As he was a non-stop, speed-talker, known as a chiacchierone - a chatter box in Italian - Alberto was called “Marty Mouth,” Motor Mouth,” Mighty Mouth,” or simply “Mouth.” 

I recall one early weekday evening when I entered the shop and Alberto was pacing up and down the shop and talking fast. Sonny had an older man I didn’t know in his chair and Frank had my friend Bob Longo in his chair. Frank and Bob were smirking as Alberto went on and on.     

“I know it ain’t right to do a cop,” Alberto said. “But I gotta tell ya this prick detective is getting on my last nerve. He’s always pulling me over when I’m driving around the neighborhood and questioning me right in front of everyone. He even pulled me into South Detectives and grilled me for an hour, but I didn’t fold. I didn’t tell him shit.” 

Alberto, voice high and fast, spoke of how this detective was pressing his luck by harassing him. 

“He don’t know who Marty Alberto is! I’m into some heavy shit right now, and this cop is crowding me. If I gotta go to the bosses and ask permission to whack this fucking cop, I will. And if they don’t give me the OK, I may whack his fucking fat ass anyway. I tell ya, I had it with this prick supercop.”            

Just then Frank pulled off the barber’s neck to knees white sheet and Alberto saw Bob Longo’s blue police uniform, badge and sidearm. 

Martin Alberto was – for perhaps the first time in his life – speechless. 

Alberto turned quickly and bolted out the door as Bob Longo just shook his head and I, the two barbers and the other customers roared with laughter.

© 2025 Paul Davis 

Note: You can read my other crime fiction stories via the below link:

Paul Davis On Crime: My Crime Fiction Stories 

Friday, October 22, 2021

O. Henry's Humor, Pathos, Drama And Irony: 'My Washington Times 'On Crime' Column On O. Henry's 101 Stories


 The Washington Times published my On Crime column on O. Henry’s 101 stories.

Every Christmas season, I watch about a dozen or so favorite holiday films. One of them is “O. Henry’s Full House.” The 1952 film offers five adaptations of O. Henry’s great short stories with Christmas themes. The film features fine directors for each story, such as Henry Hathaway, Howard Hawks, Henry King, and notable actors as Charles Laughton, Fred Allen, and Marilyn Monroe. Author John Steinbeck is the film’s narrator.

 

The film highlights O. Henry’s humor, drama, pathos, and irony. The stories presented in the film are “The Gift of the Magi,” “The Ransom of Red Chief,” “The Cop and the Anthem,” “The Last Leaf,” and my favorite, “The Clarion Call.” The story stars Dale Robinson as a cop who is indebted to a crook portrayed by Richard Widmark.

 

O. Henry, the pen name of William Sidney Porter, has many admirers, like me, and those admirers will enjoy a new collection of his stories published by the Library of America, called “O. Henry’s 101 Stories.” 

 

As crime is my primary interest and beat, I particularly love O. Henry’s short stories about crime. There are several crime stories in “O. Henry’s 101 Stories,” such as the classic “A Retrieved Reformation,” “After Twenty Years,” and “The Girl and the Graft.” 


“O. Henry’s 101 Stories” was edited by Ben Yagoda. He noted although that although O. Henry is mostly known for stories with a twist ending, such as “The Gift of the Magi,” the majority of his stories do not have surprise endings and are not sentimental.

 

You can read the rest of the column via the below link:


https://www.washingtontimes.com/news/2021/oct/21/book-review-o-henry-101-stories/ 


My favorite O. Henry short story, The Clarion Call, was not included in O. Henry's 101 Stories, but you can read the story via the below link:


The Clarion Call (americanliterature.com)



You can also watch the film O. Henry's Full House free via the below link:


O. Henry's Full House (1952) - YouTube


Note: The above photo is of Dale Robinson and Richard Widmark from The Clarion Call in O. Henry's Full House. 

Tuesday, August 3, 2021

Sea Stories: Vignettes, Short Stories And Humor Pieces About My Time In The U.S. Navy

When I was in the U.S. Navy many years ago, a "sea story," was a derogatory expression, meaning an exaggerated and fanciful tale about one's experiences in the Navy, as in "Davis is telling sea stories again."

You can read my sea stories - vignettes, short stories and humor pieces - via the below links:














































Friday, November 6, 2020

Watching John Ford's Film About Ole Small-Town Politics, 'The Sun Shines Bright,' As One Waits For The Conclusion Of the 2020 Presidential Election,

 As we wait for the conclusion of the 2020 presidential race, one might be interested in watching a great old film about politics in ole Kentucky. 

The late, great film director John Ford (who appears in the below photo), one of my favorites film makers, directed The Sun Shines Bright in 1953. The film is about honor, decency, charity, humor and small-town politics in the beginning of the 20th Century. 

The film is based on three Judge Priest short stories by humorist and newspaper columnist Irwin S. Cobb (who appears in the bottom photo), who died in 1944. John Ford directed an earlier film, Judge Priest, starring Will Rodgers, in 1934, which was also based on Cobb’s character. 

John ford, who directed some of my favorite films, such as The Searchers, Fort Apache, The Horse Soldiers, The Man Who Shot Liberty Valance and They Were Expendable, claimed The Sun Shines Bright was his favorite film. 

John Ford died in 1973. 

You can watch The Sun Shines Bright via the below link:

https://www.bing.com/videos/search?q=John+Ford+western+full+movies&&view=detail&mid=D02E0B712E1A2D56ABC9D02E0B712E1A2D56ABC9&&FORM=VRDGAR&ru=%2Fvideos%2Fsearch%3Fq%3DJohn%2BFord%2Bwestern%2Bfull%2Bmovies%26qs%3Dn%26form%3DQBVR%26sp%3D-1%26pq%3Djohn%2Bford%2Bwestern%2Bfull%2Bmovies%26sc%3D0-29%26sk%3D%26cvid%3D5D6709EEEC3D477593F7440773531D70

You can read the Cobb stories via the below link:

http://www.gutenberg.org/files/44224/44224-h/44224-h.htm 

And you can watch Will Rodgers in John Ford's Judge Priest via the below link:

https://www.bing.com/videos/search?q=john+Ford+Judge+priest+full+film&&view=detail&mid=825292A87987E0FED6C9825292A87987E0FED6C9&&FORM=VRDGAR&ru=%2Fvideos%2Fsearch%3Fq%3Djohn%2BFord%2BJudge%2Bpriest%2Bfull%2Bfilm%26FORM%3DHDRSC3

Wednesday, October 15, 2014

Hardboiled Hemingway: A Look Back At Papa's Crime Stories


Edward A. Grainger at criminalelement.com offers a look back at Ernest Hemingway's crime stories.

Ernest Hemingway is one of the biggest names of 20th century literature. He won the Pulitzer and Nobel Prize in Literature in 1954, and his star seems in no danger of burning out even with tastes shifting away from the controversial sport of his beloved bull fighting and his outdated machismo. Though he didn’t write for the pulps, his spare dialogue and trim storytelling strongly influenced many hardboiled crime writers of his time and extending to crime-scrawling word slingers on the Internet today. Below I’ve selected six stories and two films that exemplify why, along with impresarios like Dashiell Hammett and Raymond Chandler, he helped define a genre directly with classics like “The Killers” and indirectly with more literature-infused offerings like “In a Clean, Well-Lighted Place.”

“The Killers” (short story, Scribner's Magazine, 1927)

“The Killers” first appeared in Scribner's Magazine. It features Hemingway’s frequent Nick Adams character who went from a young boy to an adult in the series and is generally considered to be the author’s alter ego. The tale opens with Nick in a lunchroom when two gangsters enter. They tie up Nick and the cook in the kitchen and then reveal to George, who runs the place, “We're going to kill a Swede. Do you know a big Swede named Ole Andreson?” George does know him because the Swede is a regular customer and a friend. When the intended victim never shows and the killers depart, George sends Nick to warn the Swede who seems strangely unconcerned as Nick informs him of his impending fate. To say the dialogue and plot is minimal—which at first appearances seems to be constructed like a play in rough draft—is an understatement, yet a fully developed story is presented, almost like a conjuror’s trick, as you read along. The only stumbling block by today’s standard is the decidedly coarse language. There are two dozen short stories featuring this character, all republished in the vital 1972 collection The Nick Adams Stories.

You can read the rest of the piece via the below link:

http://www.criminalelement.com/blogs/2014/10/hardboiled-hemingway-with-noir-chasers-ernest-hemingway-edward-a-grainger

Note: You can also read my Crime Beat column on Hemingway's crime stories via the below link:

http://www.pauldavisoncrime.com/2009/08/on-crime-thrillers-hemingway-on-crime.html

Sunday, December 15, 2013

'A Christmas Crime Story'


As the Christmas season is here again, I'd like to once again offer my short story A Christmas Crime Story.   

To get in the true spirit of the Christmas holiday, some people go to church, some people go to the homes of family and friends, and some people go out and shop.

Me? I go to cop bars.

...  As a writer, I’ve talked to cops in station houses, in patrol cars, on the street and in bars. I’ve listened to their concerns, prideful boasts and sorrowful confessions. I’ve accompanied cops on patrol and witnessed them handle insane, intoxicated and incongruous citizens. I’ve observed how they console crime victims and their families. I’ve seen how they cope with the aftermath of criminal violence and man’s inhumanity to man. And I’ve come to appreciate their black humor, which like military humor, is a necessary safety valve to get them through the bad times.

... Cops are generally in good spirits despite the fact that the holiday season is a busy one for them. It’s a sad commentary, but the holiday season is a peak time for crime. Criminals certainly love the holiday season, but not for spiritual or sentimental reasons. It’s simply a time of grand opportunity. And criminals certainly don’t take a Christmas vacation. As joyous and hopeful people go out to worship, shop, dine and visit family and friends, criminal predators go out and pickpocket, shoplift, mug, steal and burglarize.


You can read the rest of the short story via the below link:

http://www.pauldavisoncrime.com/2011/12/christmas-crime-story.html 

Saturday, April 28, 2012

The Mystery Writers Of America Announced The Winners Of The 2012 Edgar Awards

Dianna Dilworth at mediabisto.com offered a report on the announment of the 2012 Mystery Writers of America's Edgar Award.

The annual prize is named after beloved Edgar Allan Poe and awarded to the best authors in the mystery genre since 1945.

You can read the rest of the piece and link the list of the Edgar winners via the below link:

http://www.mediabistro.com/galleycat/2012-edgar-award-winners-revealed_b50829 

Saturday, August 20, 2011

At 70, Ellery Queen's Mystery Magazine Still Has A Clue


Randy Dotinga at the Christian Science Monitor wrote an interesting piece about Ellery Queen's Mystery Magazine 70th anniversary and he interviewed the magazine's editor, Janet Hutchings.

You can read the piece via the below link:
http://www.csmonitor.com/Books/chapter-and-verse/2011/0819/Mystery-Magazine-At-70-Ellery-Queen-s-publication-still-has-a-clue

You can also visit Ellery Queen's web site via the below link:

http://www.themysteryplace.com/eqmm/

Saturday, July 16, 2011

On Ernest Hemingway's Great Short Stories


Chris Power wrote an interesting piece for the British newspaper The Guardian about Ernest Hemingway's great short stories.

Hemingway's earliest published stories are stark formal experiments. In Our Time (1924), a 32-page book of vignettes often just a paragraph long, describes scenes from the first world war (Hemingway served in the Red Cross in Italy), the Greco-Turkish war, criminal life, and the bullring. They rank with Felix Fénéon's elevation of faits-divers to the status of art, but are fired by an even greater intensity through what Edward Said identifies as their "incredible purity of line and severity of vision".
 You can read the rest of the piece via the below link:

http://www.guardian.co.uk/books/2011/jul/15/brief-survey-short-story-ernest-hemingway

Sunday, December 12, 2010

Twelve Tales for Christmas: Writers Read and Discuss Short Stories By Masters of the Form

The British newspaper The Guardian offers a podcast of writers who select short stories from masters of the form, and then read and discuss the stories.

One of the stories is Ernest Hemingway's Homage to Switzerland.

You can link to the newspaper site via the below link:

http://www.guardian.co.uk/books/2010/dec/11/short-stories

Tuesday, July 27, 2010

My Crime Beat Column: Manhattan Noir 2, The Classics


I love short stories and I truly love short stories about crime.
   
Back in May I wrote a column about a collection of short stories called Boston Noir (which can be read here http://www.pauldavisoncrime.com/2010/05/on-crime-thrillers-column-boston-noir.html 

At the end of my column I asked why there was no Philly noir collection and an editor at Akashic Books subsequently informed me that a collection of Philly crime noir stories would soon be published.

So while I wait for the Philly collection, I read another one of Akashic’s noir series, Manhattan Noir 2, The Classics.

This book greatly interested me as it contained short stories by several writers that I’m very fond of, including O. Henry and Damon Runyon.

One of the movies I try to watch every Christmas season is O. Henry's Full House. The 1952 film featured five O. Henry stories, each segment with a different director. Author John Steinbeck introduced each segment. Some of the stories have a Christmas theme and all of the stories contain the famous twist at the end.

The film features two moving segments based on O. Henry’s The Gift of the Magi and The Last Leaf. The other three stories in the film deal with crime.

Actor Charles Laughton is brilliant in The Cop and the Anthem. The Clarion Call, directed by Henry Hathaway, features Dale Robertson as a cop who is beholding to a hoodlum portrayed by Richard Widmark. Both actors are superb. And The Ransom of Red Chief, directed by Howard Hawks, features the great comic Fred Allen as the con man and crook who wishes he didn’t kidnap the odd and terrible little boy who calls himself Red Chief.

I love these stories and the film does them justice, I believe.

Lawrence Block, the author of Eight Million Ways To Die and other crime stories, edited Manhattan Noir and Manhattan Noir 2, The Classics. He wrote in the introduction of Manhattan Noir 2 that for the first book all he had to do was to persuade some of the best writers in the country to produce new dark stories set in Manhattan.

“And to do so for a fee that fell somewhere between honorarium and pittance,” Block added.

“They turned in magnificent work, and I turned in the fruits of their labors, and that was pretty much it,” Block explained. “Nice work if you can get it.”

But with this book, Block had to find the stories and he noted that it was not that easy.

“I knew I wanted to include O. Henry and Damon Runyon — but which O.Henry story? Which story of Runyon’s? I did not want to resort to the anthologist’s ploy of picking stories from other people’s anthologies — this, of course, is one reason everybody knows The Gift of the Magi and Little Miss Marker, while so many equally delightful stories remain unknown to the general reader,” Block explained.

Block stated that he read all of O. Henry’s New York stories and all of Damon Runyon’s stories and then he narrowed the field until he could select a single story from each author.

Block informs us that money had much to do with the publishing of these classic short stories.

“Consider this: In 1902, William Sydney Porter, whom you and the rest of the world know as O. Henry, moved to New York after serving a prison sentence in Ohio (he’d been convicted of embezzling $854.08 from a bank in Austin, Texas.) Within a year he had been contracted to write a weekly short story for a newspaper, the New York World,” Block wrote.

Block wrote that Porter received $100 for each story, which was very good money in those days (and not too bad these days, I might add).

“O. Henry published his first short story collection in 1904, and his tenth in1910,” Block wrote. “He never wrote a novel. He never had to.”

Block selected O. Henry’s The Furnished Room for his collection.

“Restless, shifting, fugacious as time itself is a certain vast bulk of the population of the red brick district of the lower West Side,” O. Henry wrote. “Homeless, they have a hundred homes. They flit from furnished room to furnished room, transients forever — transients in abode, transients in heart and mind. They sing “Home Sweet Home” in ragtime; they carry their lares et penates in a bandbox; their vine is entwined about a picture hat; a rubber plant is their fig tree.

“Hence the houses of this district, having had a thousand dwellers, should have a thousand tales to tell, mostly dull ones, no doubt; but it would be strange if there could not be found a ghost or two in the wake of all these vagrant guests.’

O. Henry’s story deals with a young man who is searching through these boarding houses that are home to transient theatrical entertainers. He is searching for a young woman.

“Consider Damon Runyon,” Block wrote in the introduction. “”Today’s readers know him chiefly for Guys and Dolls, the brilliant musical based on his stories.”

Block noted that Runyon was already a great success as a Broadway columnist when he began writing fiction in 1929. His stories about gangsters, gamblers, entertainers and other Broadway characters appeared in Cosmopolitan, Colliers and the Saturday Evening Post.

“Damon Runyon never wrote a novel. He never had to either.”

Block selected Johnny One-Eye as the Runyon story for this collection.

The story is about a showdown and shoot-out between two gangsters and how a scruffy and injured kitten enters between them. One of the kitten’s eyes is closed, hence the name one of the gangsters gives him.

Manhattan Noir 2, The Classics also offers short stories by Evan Hunter, Irwin Shaw, Stephen Crane, Donald E. Westlake, Joyce Carol Oates and other great writers. The book also includes Edgar Allen Poe’s great poem The Raven.